The College of Natural & Agricultural Sciences at the University of California, Riverside is proud to present the 2022 Science Lecture Series entitled Big Data Science. The third of this four-part is Tuesday, April 19, with Dr. Mark Alber, UC Riverside Distinguished Professor of Mathematics, with a presentation on Computational Modeling and Digital Twin of a Patient. Fueled by breakthrough technology developments, the biological, biomedical, and behavioral sciences are now collecting more data than ever before. There is a critical need for time- and cost-efficient strategies to analyze and interpret these data to advance human health. The recent rise of machine learning as a powerful technique to integrate multimodality, multifidelity data, and reveal correlations between intertwined phenomena presents a special opportunity in this regard. This technique is incredibly successful in image recognition with immediate applications in diagnostics including electrophysiology, radiology, or pathology, where clinicians have access to massive amounts of annotated data. However, machine learning often performs poorly in prognosis, especially when dealing with sparse data. Multiscale computational modeling is a successful strategy to integrate multiscale, multiphysics data and uncover biological mechanisms that explain the emergence of function. However, multiscale modeling alone often fails to efficiently combine large datasets from different sources and different levels of resolution In this lecture, Dr. Alber will demonstrate that machine learning and multiscale modeling can naturally complement each other to create robust predictive models that can provide new insights into disease mechanisms, help identify new targets and patient specific treatment strategies, and inform decision [More]
#computationalcreativity #aritificialintelligence What is Computational Humor in AI? Computational Creativity in AI Meaning, Computational Creativity in AI Definition, Computational Creativity in AI Explanation || RealizeTheTerms
This is a talk by Stephen Wolfram for MIT course 6.S099: Artificial General Intelligence. This class is free and open to everyone. Our goal is to take an engineering approach to exploring possible paths toward building human-level intelligence for a better world. INFO: Course website: https://agi.mit.edu AI podcast: https://lexfridman.com/ai CONNECT: – If you enjoyed this video, please subscribe to this channel. – AI Podcast: https://lexfridman.com/ai/ – Show your support: https://www.patreon.com/lexfridman – LinkedIn: https://www.linkedin.com/in/lexfridman – Twitter: https://twitter.com/lexfridman – Facebook: https://www.facebook.com/lexfridman – Instagram: https://www.instagram.com/lexfridman
Artificial intelligence has significantly advanced computer software and its corresponding services across several fields. Yet, several AI pioneers question the “intelligence” of our current technologies, arguing that their capabilities are limited to systematic observation and generalized description of data. The Arts, including fine and performing Arts, can be seen as an ideal testbed for artificial intelligence as these fields have in the core of their artistic process human creativity, one of the key characteristics of human intelligence. This presentation will review the state-of-the-art methods in the field of Computational Creativity and open discussions on the future of Artificial Intelligence in the Arts. This talk was part of the AI Advances and its Applications seminar series. November 4, 2020.
Computational theories of the mind seem to be ideally suited to explain rationality. But how can computations be subverted by meaning, emotion and love? Joscha
Ideas in Interactive Media Andrew R. Brown Professor of Digital Arts, Griffith University
Visit us at http://www.siemens-healthineers.com/RSNA Artificial intelligence (AI) is transforming care delivery and expanding precision medicine. Siemens Healthineers has served as a pioneer in AI development for more than 20 years, and new deep learning technology now enables us to automate complex diagnostics and support optimal treatment. #RSNA18 #Radiology #DigitalHealth
Computational theories of the mind seem to be ideally suited to explain rationality. But how can computations be subverted by meaning, emotion and love? Joscha
BCBT Lectures 2018 Joscha Bach. Harvard Program for Evolutionary Dynamics, US
BCBT Lectures 2018 Joscha Bach. Harvard Program for Evolutionary Dynamics, US
Created by Joshua Gould, Prepared for the Digital Media Innovation (Summer 2018) course at Rutgers’ School of Communication & Information as a part of the Graduate Program in Digital Media & Communication. Interactive Presentation: https://drive.google.com/file/d/1KBheC_FghDL5lDiJwzf7VsSIC5b8Dz7j/view?usp=sharing Preface from project proposal: In the information age, developments in artificial intelligence have unlocked new forms of creativity and content in media. AI, or artificial intelligence, is a truly phenomenal and transformative technology. Cognitive computing has unlocked our ability to extract insights and actions from big data, enables cars to drive themselves and can even create flawless works of art like Rembrandt. We are witnessing a Cambrian explosion of artificial intelligence that ushers advancements in virtual agents’ visual perception and their application towards new art forms and tools. How can we leverage machine learning and artificial intelligence to create in new ways? This proposal outlines the basic concept, project timetable and viability of a media prototype entitled: AI-nimation. Conceptually, AI-nimation would be a machine-learning tool, leveraging algorithms and neural networks programmed to scan specific visual data, capable of generating animations (or collages) from text-driven descriptions. Similar to functions of computer vision and pattern recognition, AI-nimation would be able to analyze novel text input, or plain-language, and through a database of visual elements create a temporal-layout of mentioned characters and objects. In laymen terms, AI-nimation would be able to intake general scene captions, containing character, prop and location descriptions, and create computer-animated scene videos. In theory, this tool truly enables machine learning and artificial intelligence to [More]
Computational creativity—a subdomain of artificial intelligence concerned with systems that replicate or assist human creative endeavors—has been the  subject of academic inquiry for decades. Now, with recent improvements in machine learning techniques and the rising popularity of all things AI, computational creativity is a medium for critically and commercially successful works of art. From a 2016 Rembrandt to Jukedeck’s instant music (or muzak?), AI-assisted and AI-driven works are a reality. This raises mind-bending questions about the nature of creativity, the relationship between the artist and the viewer, even the existence of free will. For many lawyers, it also raises a more immediate question: who owns all of this art? Cyberlaw Clinicians Jess Fjeld and Mason Kortz discuss copyright in AI-generated works, the need for a shared understanding of what is and isn’t up for grabs in a license, and how forward-thinking contracts can prevent AI developers and artists from having their rights decided by our (often notoriously backwards-looking) legal system. Learn more about this event here: https://cyber.harvard.edu/events/2018/luncheon/05/Fjeld_Kortz
What’s more clever…the human brain or a computer chip? Wach the full program now: https://www.worldsciencefestival.com/videos/computational-creativity-ai-art-ingenuity/ Today, there are robots that make art, move like dancers, tell stories, and even help human chefs devise unique recipes. But is there ingenuity in silico? Can computers be creative? A rare treat for the senses, this thought-provoking event brings together artists and computer scientists who are creating original works with the help of artificially intelligent machines. Joined by leading experts in psychology and neuroscience, they’ll explore the roots of creativity in humans and computers, what artificial creativity reveals about human imagination, and the future of hybrid systems that build on the capabilities of both. This program is part of the Big Ideas Series, made possible with support from the John Templeton Foundation. Subscribe to our YouTube Channel for all the latest from WSF. Visit our Website: http://www.worldsciencefestival.com/ Like us on Facebook:https://www.facebook.com/worldsciencefestival Follow us on twitter: https://twitter.com/WorldSciFest
SYNOPSIS: Will a computer ever be more creative than a human? In this compelling program, artists, musicians, neuroscientists, and computer scientists explore the future of artistry and imagination in the age of artificial intelligence. PARTICIPANTS: Sougwen Chung, Jesse Engel, Peter Ulric Tse, Lav Varshney MODERATOR: John Schaefer Original program date: MAY 31, 2017 WATCH THE TRAILER: https://youtu.be/O6t7I_iVim8 WATCH THE LIVE Q&A W/JESSE ENGEL: https://youtu.be/UXyMiSURQ7Y FULL DESCRIPTION: Today, there are robots that make art, move like dancers, tell stories, and even help human chefs devise unique recipes. But is there ingenuity in silico? Can computers be creative? A rare treat for the senses, this thought-provoking event brings together artists and computer scientists who are creating original works with the help of artificially intelligent machines. Joined by leading experts in psychology and neuroscience, they’ll explore the roots of creativity in humans and computers, what artificial creativity reveals about human imagination, and the future of hybrid systems that build on the capabilities of both. MORE INFO ABOUT THE PROGRAM AND PARTICIPANTS: https://www.worldsciencefestival.com/programs/computational-creativity/ This program is part of the Big Ideas Series, made possible with support from the John Templeton Foundation. – Subscribe to our YouTube Channel for all the latest from WSF – Visit our Website: http://www.worldsciencefestival.com/ – Like us on Facebook: https://www.facebook.com/worldsciencefestival/ – Follow us on Twitter: https://twitter.com/WorldSciFest TOPICS: – AI and the Art of Ingenuity 00:06 – Participant Introductions 02:51 – What are the pros and cons of AI creativity? 4:27 – Where did computational creativity start? 9:32 – What is [More]